【保持静止——继续前行】，这是期待已久的罗伯特.弗兰克(生于1924)2001年在埃森博物馆举办的展览的重新印刷。作者以其**本摄影集【美国人】成名以及他的实验性电影【拔出雏菊】而闻名，直到这本书出版之前，很少有像弗兰克在摄影和电影学科的交叉领域上的研究存在。

这本书中探索了电影对弗兰克摄影作品的影响，以及自20世纪50年代以来，摄影师和电影工作者之间静止和移动图像的相互作用。

这本书采用了一种非时间顺序的方法，包括照片、电影胶片、35毫米胶片，以及照片中弗兰克最**的系列和不太知名的作品; 从这些不同的内容来看，这本书的内容提供了一种展示的对比，呈现了弗兰克艺术的看似不连贯的弧线。从照片上的手写短语到电影中的对话，文字是很重要的工具，也是弗兰克的照片日记的核心。

这篇文章包括了一篇来自博物馆馆长Tobia Bezzola的新文章，文章突出了一些可能是世界上最**的生活摄影师的作品，这是摄影和电影集的重要补充。

• Hardcover: 168 pages
• Publisher: Steidl (November 22, 2016)
• Language: English
• ISBN-13: 9783869309040
• Product Dimensions: 8.3 x 0.8 x 10.6 inches
• Shipping Weight: 1.8 pounds

Hold Still, Keep Going is the long-awaited reprint of the catalogue to Robert Frank’s (born 1924) 2001 exhibition at the Museum Folkwang in Essen. Though the artist is best known for his seminal photobook The Americans (1959) and his experimental film Pull My Daisy (1959), until this publication, little scholarship existed on the intersection between Frank’s work in the disciplines of photography and film.

Hold Still, Keep Going fills that void, exploring the influence of film on Frank’s photographic work, and the interaction between the still and moving image that has engaged the photographer and experimental filmmaker since the late 1950s. The book adopts a nonchronological approach, including photographs, film stills, 35mm filmstrips, as well as photomontages that present Frank’s most famous series alongside less known work; from these varied contents, the volume offers revealing juxtapositions, rendering the seemingly disjointed arc of Frank’s art more cohesive. Text, from handwritten phrases on photographs (of which “HOLD STILL―keep going” is but one example) to the dialogue in his films, emerges as a crucial tool, one that is also central to Frank’s photo-diaries.
Including a new essay from Tobia Bezzola, director of the Museum Folkwang, this edition highlights some of the more obscure work by perhaps the world’s best-known living photographer, and is an essential addition to all photography and film collections.