"马克•米姆拉姆（Marc Mimram，1955年出生），法国获奖建筑师和工程师，通过世界**的建筑摄影师埃里塔•阿塔利（Erieta Attali，1966年出生）——专门探讨人造建筑与景观之间的关系——的镜头展示了他的建筑作品。

这部三卷本出版物建立了一个新的视觉词汇表，以便通过它来诠释建筑。探讨了公共建筑的社会功能，在这本书出版前，这个主题在建筑摄影和建筑空间的交流中基本上不存在。**册着重介绍了巴黎航空时代大楼建设的两年摄影记录。第二卷概述了Mimram在世界各地的作品：从法国到摩洛哥和中国的桥梁，火车站和学术机构。第三卷重点介绍了为法国网球公开赛重新设计的场地罗兰•加洛斯（Roland-Garros）。包括马克•米姆拉姆（Marc Mimram），埃里塔•阿塔利（Erieta Attali），阿里尔•吉纳特（Ariel Genadt），让•阿塔利（Jean Attali），保罗•切梅托夫（Paul Chemetov），兹维•赫克（Zvi Hecker）和彼得•库克（Sir Peter Cook）的文章。

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"Marc Mimram ( born 1955), the award-winning French architect and engineer, presents his work of architecture and structure through the lens of Erieta Attali (born 1966), world-renowned architectural photographer, who explores the relationship between human-made structures and the landscape.

Architecture is often represented as a product or disembodied object. This view transforms inhabitants into spectators of an architecture that is dematerialized, delocalized, dehumanized and reduced into an image of itself. The collaboration between Mimram and Attali aims for an all-encompassing approach, placing the architecture within its time-frame and physical environment, rather than presenting mere glossy images of the projects. This three-volume publication builds a new visual vocabulary through which to interpret the structures. The social functionality of public architecture is addressed, largely absent in architectural photography and the communication of built space until now. The first volume focuses on a two-year photographic documentation of the construction of the Airtime building in Paris. The second volume presents an overview of Mimram’s works around the world: bridges, train stations and academic institutions from France to Morocco and China. The third volume focuses on the newly redesigned venue for the French Open, Roland-Garros. With texts by Marc Mimram, Erieta Attali, Ariel Genadt, Jean Attali, Paul Chemetov, Zvi Hecker and Sir Peter Cook.

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