朱利安·施纳贝尔（Julian Schnabel）从生活中取材创作进行艺术创作。他将日常生活中的材料运用在绘画中，使它们富有历史感；他执导的电影为艺术家和其他英雄画像；他还在纽约建造了自己梦想中的威尼斯宫殿。这本超大开本限量版书籍是与朱利安·施纳贝尔紧密合作的成果，是**本展示他所有媒介的作品的书籍，它还提供了一个不用亲眼见到也能大饱眼福地欣赏施纳贝尔艺术作品的机会。
收藏版（编号：136-1135），带编号和朱利安•施纳贝尔的签名。另外还推出了两个不同的艺术版
汉斯·维尔纳·霍尔茨瓦特，路易丝·库格尔伯格
精装本，装于翻盖式书盒中，33 x 44厘米，7.83公斤（17.23磅），570页，带编号和朱利安·施纳贝尔的签名
详情
"我希望我的生活融入我的作品中，像一辆被压扁的车一样粉碎在我的画里。如果不是这样，我的作品则平平无奇。" 1979年，朱利安·施纳贝尔在纽约举办了他的**次个展，使他一夜成名。展览前夕，他说了这句话。从那时起，他就成了绘画回归新意义的代名词。施纳贝尔在日常生活寻找他的材料。他的盘子画利用破碎的陶器构成了一幅不可思议的画，以日常材料为基础；同时，他也在天鹅绒、市场摊位的覆盖物、军队的油布、歌舞伎剧院的背景和拳击场的地板上作画——这些材料常常是施纳贝尔在旅行途中或在他户外工作室的周围发现的，它们为自己的历史增添了一次绘画探索。
地点对施纳贝尔来说很重要，无论是在他创作作品的时候，还是在将作品安装在特定的地点时，都为多层次的意义增加了作品本身的丰富历史。他的艺术不分抽象和具象，但有时具象的形状在雕塑中找到了自己的生命，这些雕塑将绘画转移到空间中，成为原始的，看起来陈旧的手工艺品。与此同时，施纳贝尔还是一位**的电影导演，至今创作了6部电影，包括《轻狂岁月》（1996），该片揭露了70年代末和80年代纽约艺术界的内幕，非常详尽地刻画了片中的主角；《潜水钟与蝴蝶》（2007），刻画了一个患有闭锁症候群但拒绝放弃的男人，这部电影为施纳贝尔赢得了两座金球奖；梵高肖像《永恒之门》（2018），证明了创造精神的的存在。
这本限量版书籍以前所未有的深度介绍了施纳贝尔各个体裁的作品。本书是与这位艺术家密切合作完成的，作品的选择和书籍封面的设计都出自他之手。文字部分来自朋友和合作者们的撰稿：Laurie Anderson为施纳贝尔画了一幅近距离肖像；在三篇艺术史文章中，Éric de Chassey讨论了他的绘画，Bonnie Clearwater讨论了他的雕塑，Max Hollein讨论了他特定地点的作品；Donatien Grau的文章谈论了Palazzo Chupi，这是施纳贝尔梦想中的一座威尼斯宫殿，位于纽约西村区；小说家Daniel Kehlmann则探讨了他的电影作品。这本尺寸恰如其分的超大版本可以让你研究表面和许多画画活动，提供了一个不用亲眼见到也能大饱眼福地欣赏施纳贝尔艺术作品的机会。
限量收藏版（编号：136-1135），带编号和朱利安•施纳贝尔的签名。另外还推出了两个不同的艺术版。
作者介绍
汉斯·维尔纳·霍尔茨瓦特是一名图书设计师和编辑，擅长当代艺术和摄影。他参与制作的TASCHEN出版物包括收藏版《Jeff Koons》、《Christopher Wool》、《Albert Oehlen》、《Ai Weiwei》和《David Hockney SUMO A Bigger Book》，以及像XXL开本的《Jean-MichelBasquiat》这样的专著。
路易丝•库格尔伯格是一位出生于瑞典的室内设计师，她曾翻新过18世纪的收藏私人艺术藏品的建筑，与人合作设计过豪华精品酒店，并用回收的海洋塑料为海洋公益机构Parley for the Oceans建造了一个巨大的便携式帐篷。在过去的五年里，她与朱利安·施纳贝尔（Julian Schnabel）进行了广泛的合作，设计了展览空间和目录，并共同撰写和编辑了电影《永恒之门》。她目前在纽约生活和工作。
《朱利安·施纳贝尔》
限量1,000本
Hans Werner Holzwarth, Louise Kugelberg.
精装本，装于翻盖式书盒中，33 x 44厘米，7.83公斤（17.23磅），570页，带编号和朱利安·施纳贝尔的签名。
ISBN 9783836581615
多语种版本：英语、法语、德语
Julian Schnabel makes art out of life. Heuses everyday materials in paintings that carry a rich sense of history, hedirects movies that paint portraits of artists and other heroes, and he buildshis own dream of a Venetian palace in New York. This oversize limited-
editionbook, made in close collaboration with the artist, is the first to feature hiswork in all media and offers the most generous opportunity to experienceSchnabel’s art outside of meeting it in person.
Collector’sEdition (No. 136–1,135), numbered and signed by Julian Schnabel. Also availablein two different Art Editions.
Hans Werner Holzwarth, Louise Kugelberg
Hardcover in clamshell box, 33 x 44 cm,7.83 kg (17.23 lb), 570 pages, numbered and signed by Julian Schnabel
READMORE
“I want my life to be in my work, crushed into my painting like apressed car. If it’s not, my work is just some stuff.” Julian Schnabel saidthis on the eve of his first solo exhibition in New York in 1979 that made himan overnight success. Since then, he has been synonymous with painting’s returnto new relevance. Schnabel finds his materials in the fabric of the everyday.His plate paintings use broken crockery to form an improbable picture, groundin everyday materials, while he also paints on velvet, market stall covers,army tarps, kabuki theater backdrops, and boxing ring floors
—materials thatlend their history to a painterly exploration, often discovered on his travelsor around his outdoor studios.
Place is important to Schnabel, both whenhe is creating the works, and when installing them in specific sites that addtheir own rich history to the layers of meaning. His art knows no distinctionbetween abstract and figurative, but sometimes the figurative shapes find theirown lives in sculptures that transpose the paintings into space as raw,seemingly time-
worn artifacts. Meanwhile, Schnabel has become famous as a moviedirector, creating six films to date, including Basquiat (1996), which offeredan inside view of the New York art scene of the late 1970s and ‘80s and anintimate portrait of its title star; The Diving Bell and Butterfly (2007), aportrait of a man with locked-in syndrome refusing to give up that won Schnabeltwo Golden Globes; and the van Gogh portrait At Eternity’s Gate (2018), atestament to the spirit of creativity.
The complete range of Schnabel’s work isnow portrayed in unprecedented depth in this limited-
edition book, made inclose collaboration with the artist, who selected the works and designed the cover.The texts were contributed by friends and collaborators: Laurie Anderson drawsa close portrait of the artist; in three art-
historical essays, Éric de Chasseydiscusses the paintings, Bonnie Clearwater the sculpture, and Max Hollein thesite-
specific work; Donatien Grau writes on the Palazzo Chupi, the artist’sdream of a Venetian palace in New York’s West Village; while the novelistDaniel Kehlmann explores his cinematic oeuvre. This fittingly oversized editionallows you to study the surfaces and the many painterly incidents, offering themost generous opportunity to experience Schnabel’s art outside of meeting it inperson.
LimitedCollector’s Edition (No. 136–1,135), numbered and signed by Julian Schnabel.Also available in two different Art Editions.
Theeditors
Hans Werner Holzwarth is a book designer and editor specializing in contemporary art andphotography. His TASCHEN publications include the Collector’s Editions JeffKoons, Christopher Wool, Albert Oehlen, Ai Weiwei, and the David Hockney SUMO ABigger Book, as well as monographs like the XXL-sized Jean-Michel Basquiat.
Louise Kugelberg is an interior designer born in Sweden, who has refurbished18th-
century buildings housing private art collections, worked collaborativelyto design luxury boutique hotels, and constructed a massive portable paviliontent out of recycled ocean plastic for Parley for the Oceans. Over the pastfive years, she has worked extensively with Julian Schnabel, designingexhibition spaces and catalogs as well as co-writing and editing the film AtEternity’s Gate. She lives and works in New York.
Julian Schnabel
Edition of 1,000
Hans Werner Holzwarth, Louise Kugelberg
Hardcover in clamshell box, 33 x 44 cm,7.83 kg (17.23 lb), 570 pages, numbered and signed by Julian Schnabel
ISBN 978-3-8365-8161-5
Multilingual Edition: English, French,German
