购物车 (0)  
亲,您的购物车空空的哟~
去购物车结算
杂志Magazine美树本晴彦 角色设定画集亚洲插画家青幻舍Seigensha360°BOOK童心异想世界gestalten:自然之作 心的感受PHAIDON:穿越世纪的美学探索限量艺术善本十周年七夕送礼求生指南寺田克也中国巡回活动Rizzoli:重现黄金时代最酷的大小孩善本自版Thames & Hudson:纸上艺术馆你是哪一“PIE”?TASCHEN:打破艺术距离你好,生活家!Prestel:经典艺术史·从文艺复兴到后现代Yale University Press:追寻真理之光导演的洞见演员的剖析电影幕后制作特辑影视创造指南定格的时光Thames & Hudson:纸上艺术馆(1)史蒂文·麦柯里个人作品集世界美食Phaidon:跨越星辰 致敬经典Thames & Hudson:沉醉艺术世界Laurence King:创意领跑Hoxton Mini Press限量版-艺术限量版-摄影限量版-表演艺术限量版-设计限量版Rizzoli:穿梭时空的时尚之旅小老鼠波波DK宝贝触摸书苏斯博士 Dr. Seuss立体翻翻书你好,世界艺术大师启蒙小指南大人物小人物,大梦想皮特猫小饼干洞洞书滑动看抽拉书吉竹申介埃尔维·杜莱艾瑞·卡尔马里恩·杜查斯贝娅特丽丝乔恩·克拉森孤独星球奥利弗·杰弗斯乐高凯迪克奖马克马丁博洛尼亚童书奖纽伯瑞奖其他获奖绘本我的小小外文童书馆普利兹克建筑奖luster出版社Abrams:接受吧 艺术投喂折纸艺术翻翻书青幻舍:光与影之舞Little Gestaltengestalten: 岂止于书善本出版14周年时尚课外读物TASCHEN40周年TASCHEN2022taschenPIE探寻中东欧艺术略影人,诗意地栖居Octopus出版集团线上书展时尚永不眠耶鲁大学出版社带你看历史PRESTEL:“经典”是一种集体认同感把别人的理想,过成自己的日常Sendpoints(2022)SendPoints来一场艺术大巡游!Phaidon你好,世界Prestel 艺术大师启蒙小人物,大梦想Templar 翻翻书天才名人系列Abrams Block纸板书Templar 欢迎来到博物馆Workman 迷你书屋Twirl 拉玩书Thames & Hudson 立体翻翻书Usborne 有声书Chronicle 触摸书吉竹申介 Shinsuke Yoshitake马里恩·杜查斯 Marion Deuchars贝娅特丽丝·阿勒玛尼娅 Beatrice Alemagna乔恩·克拉森 Jon Klassen马克·马丁 Marc Martin菲丽希缇·塞拉 Felicita Sala奥利弗·杰弗斯 Oliver Jeffers凯迪克奖博洛尼亚童书奖纽伯瑞奖其他获奖绘本童心启航 跨阅未来 Read for FunQuarto:始于彩页 跨越万里时尚大牌的宠儿 RizzolABRAMS建筑主题线上书展Little Gestalten2021城市出逃计划 City Escape Plan青幻舍 Seigensha青幻舍 Seigensha(1)PIE(2022)PIE摄影线上书展TASCHENSendpoints善本出版Sendpoints生活在伊甸园PRESTEL:艺术是生活的镜子彩图,为书籍添上吸引力百年传承的真理之光百年传承的真理之光吃掉艺术馆跨时空艺术之旅Rizzoli:艺术之光,有界无限Rizzoil:艺术之光,有界无限Abrams:夏艺派对,向书出发Walker:好奇心·艺趣纸旅TASCHEN创造可能性:安藤忠雄上海见面会点燃设计大爆炸·善本图书快闪店第一站华裔设计师刘扬巡回演讲【安藤忠雄——亚洲的未来】上海保利大剧院讲演活动回顾寺田克也中国巡回活动TASCHEN x 上海西岸艺术与设计博览会
Why Have There Been No Great Women Artists?:50th anniversary edition,为什么没有伟大的女性艺术家:50周年纪念版
收藏
|
Why Have There Been No Great Women Artists?:50th anniversary edition,为什么没有伟大的女性艺术家:50周年纪念版
Price定价:
115.00
ISBN条码: 9780500023846
Publisher出版社: Thames & Hudson
Language版别: 英文版English
Category分类: 人文社科NonFiction
Authors作者: Linda Nochlin and Catherine Grant
Pub Date出版日期: 2021-01-14 00:00:00
Binding装帧: 精装
Pages页数: 112
Size商品尺寸: 11.94x1.78x18.29cm
购买数量:
内容简介Description
留言Comments(0)



琳达•诺奇林(Linda Nochlin)撰写的关于女性艺术家的开创性文章被公认为是第一次真正尝试从女权主义的角度探讨艺术史。为什么没有 "伟大的女艺术家 "这个问题本身所使用的术语已经被破坏,所以她拒绝用这些术语来讨论这个问题。相反,她对 "伟大 "这个概念本身进行了拆解,解开了在艺术研究中以男性编码的 "天才 "为中心的基本假设。

诺奇林提到了琼•米切尔、路易丝•布尔乔亚、辛迪•谢尔曼等许多女性艺术家,她以无与伦比的精确性和魄力诊断了女性和艺术的状态。


Linda Nochlin’s seminal essay on women artists is widely acknowledged as the first real attempt at a feminist history of art. Nochlin refused to handle the question of why there had been no ‘great women artists’ on its own, corrupted, terms. Instead, she dismantled the very concept of ‘greatness’, unravelling the basic assumptions that had centred a male-

coded ‘genius’ in the study of art. With unparalleled insight and startling wit, Nochlin laid bare the acceptance of a white male viewpoint in art historical thought as not merely a moral failure, but an intellectual one. Freedom, as she sees it, requires women to risk entirely demolishing the art world’s institutions, and rebuilding them anew – in other words, to leap into the unknown.

In this stand-

alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, ‘Thirty Years After’. Written in an era of thriving feminist theory, as well as queer theory, race and postcolonial studies, ‘Thirty Years After’ is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. ‘Why Have There Been No Great Women Artists?’ has become a slogan and rallying cry that resonates across culture and society; Dior even adopted it in their 2018 collections. In the 2020s, at a time when ‘certain patriarchal values are making a comeback’, Nochlin's message could not be more urgent: as she herself put it in 2015, ‘there is still a long way to go’.



2.jpg3.jpg4.jpg6.jpg5.jpg7.jpg8.jpg10.jpg11.jpg9.jpg