极简主义设计已经发展成为一种流行和永恒的美学，因为它强调整洁的空间和排除不必要的元素，使其成为混乱的现代生活中喜闻乐见的形式。然而，尽管它适用于各种媒介，跨越视觉识别和室内，有些人可能会发现它的严谨和克制在视觉上过于沉闷和缺乏特色。因此，极繁主义最近获得了越来越多的支持。与其赞美“少即是多”，把一切都缩减到最低限度，创意工作者正以更宽广、更大胆、更明亮的方式来表达自己，充满了个性。无论是通过混合冲突的颜色还是匹配不同的模式和元素，“繁即是繁”颂扬了无畏的少数人，他们巧妙地打破设计规则，突破界限，创作出引人注目的设计。

Minimalist design has grown into a popular and timeless aesthetic due to its emphasis on uncluttered spaces and the exclusion of unnecessary elements, making it the perfect anecdote to the chaos of modern life. However, although it works across a variety of mediums––spanning visual identities and interiors––

some may find its rigour and restraint too dull or lacking in character visually. As such, the maximalism movement has been gaining more and more momentum of late. Instead of extolling 'less is more' and paring everything down to a bare minimum, creatives are expressing themselves in bigger, bolder, and brighter ways that brim with personality. Whether it is by mixing clashing colours or matching disparate patterns and elements, 'More is More' is an ode to the fearless few who deftly break design rules and push the boundaries to make eye-catching statements.