一部关于二十世纪艺术大师的学术巨著

大卫·史密斯（David Smith）采用了工厂的建造方法，在立体主义遗产的基础上，背弃了欧洲的雕刻和铸造传统，改变了战后的雕塑。他的作品与纽约画派处于同一时代，他开创性地将雕塑置于自然环境中，这是当今雕塑和装置艺术的基础。这套三卷本的盒装书全面地介绍了史密斯的全部雕塑作品。本书取代1977年由罗莎琳德·e·克劳斯（Rosalind E. Krauss）构建的目录成为新的权威目录。由克里斯托弗·里昂（Christopher Lyon）担任编辑和项目经理，苏珊·j·库克（Susan J. Cooke）担任研究编辑，书中还包括Rebecca和Candida Smith的前言，Michael Brenson、Sarah Hamill、Marc-Christian Roussel、Christopher Lyon的论文，以及Tracee Ng的年表。整套书展示了艺术家的许多照片、绘画、素描和草图，提供了对史密斯的方法和创造性思维的新见解。这本目录设计精美，图文并茂，配有精美的彩色复制品，既是一件华美的物品，也是一套重要的学术资源。

A monumental new work of scholarship on a luminary of twentieth-century art

Embracing factory methods of construction, building on the legacy of cubism, and turning his back on European carving and casting traditions, David Smith (1906–1965) transformed postwar sculpture. His body of work, contemporary with the New York School in painting, and his pioneering placement of sculptures in a natural setting are foundational for present-day sculpture and installation art. This three-

volume boxed set comprehensively details the entirety of Smith's sculptural oeuvre. It is now the definitive catalogue raisonné and supplants the one constructed by Rosalind E. Krauss in 1977. With Christopher Lyon as Editor and Project Manager and Susan J. Cooke as Research Editor, the volumes also contain a Foreword by Rebecca and Candida Smith, essays by Michael Brenson, Sarah Hamill, Marc-

Christian Roussel, Christopher Lyon, and a chronology by Tracee Ng. Throughout the volumes, reproductions of documents and images, including many photographs, paintings, drawings, and sketches by the artist, offer fresh insights into Smith’s methods and creative thought. Handsomely designed and generously illustrated with fine color reproductions, this catalogue raisonné is both a sumptuous object and an essential scholarly resource.