这套华丽的盒装内含一册安藤广重完整系列作品的复制品，由丝质装订，全彩风琴折页，并配有单独的小册子，介绍每幅作品的背景和说明。

在北斋推出描绘日本最知名标志富士山的浮世绘系列版画约25年后，广重也开始了同样的富士山题材的创作——这是江户时代版画家们的普遍做法。本卷收录了1852年首次出版的广重木版画系列的横版复制品，展示了一位成熟的艺术家在其巅峰时期的工作状态。在每幅作品的背景中，富士山都在不同的有利位置，有着变化的灯光，耸立在崇高美丽的地方，总是和人物有着密切的关系。通过这些精美折页，能够很好地欣赏广重的构图眼光、他对线条的创新使用以及色彩和情绪的微妙变化。观众还可以通过精心应用的细节和象征意义了解到19世纪日本的日常生活和文化。乔斯林·布吉拉德（Jocelyn Bouquillard）在小册子中介绍了每幅印刷品，并赞扬了木版印刷的非凡和艰辛过程。这套盒装书反映了版画本身所体现的美丽的艺术性和传统性。

This magnificent boxed set includes a silk-bound volume of stunning, accordion-

fold, color reproductions of Hiroshige’s complete series, accompanied by a separate booklet with background and descriptions of each print.

Roughly twenty-five years after Hokusai released his series of ukiyo-e prints depicting Japan’s most recognizable symbol, Hiroshige took on the subject as well—a common practice among the era’s printmakers. This volume features reproductions of the horizontal version of Hiroshige’s woodblock series, first published in 1852, and which reveal a mature artist working at the height of his powers. In the background of each of the views Mount Fuji is featured under varying vantage points and changing lights, towering over sites of sublime beauty, often animated by a few characters living in harmony with nature. These exquisite fold-out plates are perfect for appreciating Hiroshige’s eye for composition, his nontraditional use of line, and the subtle gradations of color and mood. Viewers can also learn much about daily life and culture in 19th-

century Japan through carefully applied detail and symbolism. In his introductory booklet, Jocelyn Bouquillard provides captions for each print, as well as an appreciation of the remarkable and painstaking process of woodblock printing. Packaged in an elegant slipcase, these volumes reflect the beautiful artistry and traditions that are embodied in the prints themselves.