On 27 March 1952 Berlin's municipal authorities commissioned Fritz Tiedemann to take photographs of the section of Fruchtstraße between Ostbahnhof station and Stalinallee. His images document views of the façades on the street seven years after the end of World War II and two decades before the buildings were demolished. The plan to destroy them was already in place when Tiedemann produced his pictures. Arwed Messmer and Annett Gröschner used these images as the source material for a fascinating photographic and literary project. As in previous joint projects, photographer Messmer and writer Gröschner explore aspects of the documentary in photography. Messmer digitally joins together Tiedemann's thirty-two individual negatives to produce a

single panorama portrait of Fruchtstraße and its people, a portrait that is also found in archive documents and research on the street's history and is taken up by Annett Gröschner in her text Great Beetroot Today.

1952年3月27日，柏林市政当局委托弗里茨·蒂德曼（Fritz Tiedemann）对奥斯特巴恩霍夫车站和斯大林巷之间的Fruchtstraße路段进行拍照。他的照片记录了二战结束7年后这个街道上的外墙景色，20年后这些建筑被拆除了。蒂德曼创作这些照片的时候，摧毁它们的计划就已经存在了。摄影师阿维德·梅斯默（Arwed Messmer）和作家安内特·格罗施纳（Annett Gröschner）将这些图片作为一个迷人的摄影和文学项目的原始材料。正如在以前的联合项目中，他们探讨了纪实性在摄影中的各个方面。梅斯默将蒂德曼的32张单独的底片用数字方式连接起来，制作了一张Fruchtstraße及其居民的全景画像，这幅画像也可以在档案文件和关于该街道历史的研究中找到，格罗施纳在她的文字中也采用了它。