Artron is the foremost printing enterprise in China. As the core project of Artron’s printing culture industry, the Artron art website is actively setting up to create archives for artists. Moreover, since the site is at the periphery of the city, the art center will need to be conceived with a one-stop multi-service printing facility and cultural center.

The site of Shenzhen’s Artron Art Center is located on the city edge, surrounded by three highways. In order to keep away from the noisy and chaotic environment, the building is idealized to be a landmark to define this area. Since the main view of this building will come from the three adjacent highways, the building shape should be continuous and integrated with the large-scale urban infrastructure to form a dialogue

between the two. Taking into account the volume as a whole, the architects must think about how to digest this huge volume. On the one hand, on the premise of integrity and continuity, the gaps between the different parts of the volumes were created to bring people the comfortable visual impression when walking in this territory.

雅昌不仅拥有世界**的印刷技术，还拥有国内顶尖的雅昌艺术网—一个为艺术家建立资料档案的信息平台。基于这样的企业文化背景，加之远离城市中心的基地位置，拟建的深圳雅昌艺术馆被设想为一站式服务的印刷、文化综合服务中心。

基地位于被三条高速公路包围的城市边缘，周边的建设环境依然处于规划过程当中，具有相当的不定性。为了不被这样嘈杂、混乱的环境淹没，建筑注定需要率先成为定义这个区域的标志物。毗邻的三条高速公路，决定了建筑形体应以一种完整和连续的姿态，与大尺度的城市基础设施之间形成对话。将建筑体量做整的同时，又必须考虑如何消解巨大的体量。一方面，在保证完整和连续表面的前提下，裂解出实体面之间精致的开阖关系，为地面行人创造近人尺度的视觉感受；另一方面，在基地一端退让出一块三角形区域，改善周边的城市公共环境，从这个视角，建筑在每个侧面的表情各不相同。