The debut monograph on the Brazilian fotoclubismo photographer

This is the first monograph dedicated to the work of the trailblazing German Brazilian photographer Gertrudes Altschul (1904–62). Featuring an elegant uncoated paper cover

with stamped lettering, it reproduces all 70 of the artist's known vintage prints, exploring her main themes: modern Brazilian architecture, botanical motifs and still lifes. The volume includes a selection of the artist's archival material, such as contact sheets.

Of Jewish origin, Altschul migrated in 1939 from her hometown, Berlin, to Brazil with her husband, fleeing the Nazi regime. She settled in São Paulo, where she divided her time between photography and the production of flowers for hats in a factory run by the couple. Altschul was one of the few women to be part of the well-known Foto Cine Clube Bandeirante (FCCB) in São Paulo, an important group that brought together photographers aligned with modernist photography in Brazil.

关于巴西摄影俱乐部摄影师的首部专著

这是第一本专门介绍开拓性的德国巴西摄影师格特鲁德斯·阿尔特舒尔（Gertrudes Altschul，1904-62）作品的专著。该书采用非涂布纸封面，并印有字样，再现了该艺术家所有70幅已知的复古版画，探索了她的主要主题：现代巴西建筑、植物主题和静物。该卷包括艺术家的一些档案材料，如联系表。

阿尔特舒尔是犹太人，1939年，为了逃离纳粹政权，她与丈夫从家乡柏林移民到巴西。并在圣保罗定居，在那里，她一边摄影，一边在与丈夫共同经营的工厂里生产帽花。阿尔特舒尔是圣保罗知名的摄影俱乐部Foto Cine Clube Bandeirante（FCCB）为数不多的女性成员之一，这是一个重要的团体，将巴西现代主义摄影的摄影师聚集在一起。