中文简介：

从建筑师Marcel Breuer的IBM办公大楼到虚拟人Lil Miquela的Instagram简介，开启一场美国办公室设计之旅。本书梳理了1970年代到未来的工作场所形式，令人耳目一新，通过Iwan Baan的12篇文章和照片合集，探索定义了现代办公空间的全球趋势。

建筑与美国办公室

关于办公场所的故事和猜想

建筑师Florian Idenburg和LeeAnn Suen在书中收集了自互联网出现以来占据美国办公空间的物品、系统和建筑。通过故事和猜想，Idenburg和Suen揭示了空间、工作和人之间的关系，并探索了推动办公室设计发展的意图。

在12篇文章中，本书研究了过去半个世纪中定义办公室的空间类型和全球现象。主题包括工作俱乐部的回归、公司节的兴起、魅力大师之道、时间碎片化以及工作游乐场设计。我们在Frank O. Gehry为广告界的数字游民设计的激进而有趣的空间中循环往复，在成堆打卡机的压力下蹒跚而行，在艾龙办公椅上感受身体的契合，在Hugh Hefner办公的床上接电话，并滚动浏览虚拟人Lil Miquela的广播。Iwan Baan的摄影文章为一系列经典办公项目提供了视觉上的入住后报告，例如Marcel Breuer在佛罗里达的IBM办公大楼和福特基金会在曼哈顿的城市花园。书中四个目录提供了未来工作场所产品的集合、办公建筑部件的预想广告、数字办公部件和未来工作场所的效果图；每个目录都连接了办公室的现实和我们对其替代品的想象。

这本书既是建筑师的理论背景，也是商业人士和雇员的理论背景。带着好奇心和怀疑态度，它审视了为人类工作而设计的空间和解决方案，追踪了从工作到职业、从打卡到“玩工”、从今天的生活经验到明天不可预测的、想象的未来的转变。

作者

Florian Idenburg是纽约建筑师，与Jing Liu创立了创新型事务所SO-IL。多年来，SO-IL一直在思考未来的工作，与家居品牌Knoll合作推出了一系列的工作空间作品，思考没有办公桌的办公室。Idenburg还在哈佛大学设计研究生院领导了一系列研究和设计工作室，通过科技、企业研发和政府工作的视角探索工作的架构。

LeeAnn Suen是一位驻波士顿的建筑师。她拥有哈佛大学设计研究生院的硕士学位，在那里她为艺术杂志《Oblique》的首卷做出了贡献，并担任了三年的Open Letters出版社的编辑，该出版社通过写信解决建筑和设计中的主题，出版周期为每两周一期。她曾参与《波特曼的美国和其他猜想》（2017年）的写作，和《牛津后现代建筑书目》的研究。她的写作和研究探讨了人类社会中的财产、殖民和职业等问题。

摄影家

在荷兰皇家艺术学院学习摄影后，Iwan Baan追随他对纪实摄影的兴趣，将他的关注点缩小到记录人类如何在建筑环境中互动，如关于非正式社区的作品、他在加拉加斯拍摄大卫塔（Torre David）的图片——这个系列为Baan赢得了2012年威尼斯建筑双年展**项目展览金狮奖。他的作品曾在现代艺术博物馆、伦敦建筑协会、美国建筑师协会纽约分会展出，并经常出现在世界各地的建筑、设计和生活方式出版物上。

善意办公室：人类工作

Florian Idenburg、LeeAnn Suen、Iwan Baan

平装，17 x 22 厘米，1.09 公斤，592页

ISBN 978-3-8365-7436-5

语言版本：英语

英文简介：

Take a trip through American office design, from Marcel Breuer's IBM campus to Lil Miquela's Instagram profile. This book is a refreshing take on the forms of workplaces, from the 1970s into the future. In a collection of 12 essays with photos by Iwan Baan, explore the global trends that have defined the modern office space.

Architecture and the American Office

Stories and speculations on office space

Immerse yourself with architects Florian Idenburg and LeeAnn Suen as they journey through a wide-ranging collection of the objects, systems, and buildings that have occupied the American office space since the advent of the internet. Through stories and speculations, Idenburg and Suen expose the relationships between space, work, and people, and explore the intentions that have driven the development of office design for working humans.

In twelve essays, this book examines the spatial typologies and global phenomena that have defined the office in the last half century. Topics include the return of the work club, the rise of the corporate festival, the way of the charismatic guru, the shattering of the time clock, and the design of playgrounds for work. We cycle through Frank O. Gehry's radical, playful spaces for digital nomads in the advertising world, stagger under the weight of stacks of punch cards, feel the fit of our bodies in the Aeron Chair, answer the phone in Hugh Hefner's bed, and scroll through Lil Miquela's feed. Photographic essays by Iwan Baan provide a visual post-occupancy report on a range of canonical office projects, such as Marcel Breuer's IBM campus in Florida and the Ford Foundation's urban garden in Manhattan. Four intervening catalogs offer collections of experimental workplace products, augural advertisements for office building components, digital office components, and renderings of speculative workplaces; each catalog bridges the reality of the office and how we imagine its alternatives.

This book is a theoretical backdrop for architects as much as it is for businesspeople and employees. With curiosity and skepticism, it looks at the spaces and solutions that have been designed for human work, tracing the transformation from work to occupation, from punch cards to "playbor," from today's lived experience to tomorrow's unpredictable, imagined futures.

The authors

Florian Idenburg is an architect in New York and founder of SO – IL (together with Jing Liu). Over the years, SO – IL has been thinking about the future of work, collaborating with Knoll on a series of workspace pieces that contemplate an office without desks. Idenburg further led a series of research and design studios at Harvard's Graduate School of Design that explored the architecture of work through the lenses of tech, corporate research and development, and government work.

LeeAnn Suen is an architect based in Boston. She holds an MArch from the Harvard University Graduate School of Design, where she contributed to the inaugural volume of Oblique, the Journal of Critical Conservation, and served for three years as an editor of Open Letters, a bi-weekly publication addressing topics in architecture and design through letter writing. She contributed writing to Portman's America and Other Speculations (2017) and research to the Oxford Bibliography of Postmodern Architecture. Her writing and research explore issues of property, colonization, and occupation in human society.

The photographer

After studying photography at the Royal Academy of Arts in The Hague, Iwan Baan followed his interest in documentary photography, before narrowing his focus to record how humans interact within their built environment, like in his work on informal communities, such as his images of the Torre David in Caracas – a series that won Baan the Golden Lion for Best Installation at the 2012 Venice Architecture Biennale. His work has been exhibited in the Museum of Modern art, the Architectural Association in London, the AIA New York Chapter, and appears frequently on the pages of architecture, design and lifestyle publications all over the world.

The Office of Good Intentions. Human(s) Work

Florian Idenburg, LeeAnn Suen, Iwan Baan

Softcover with trimmed pages and ring binder hole punches, 17 x 22 cm, 1.09 kg, 592 pages

ISBN 978-3-8365-7436-5

Edition: English