中文简介：

自上次金融危机以来，瑞士小镇达沃斯出现了一种新的做法：在世界经济论坛（WEF）期间，几乎整个主要街道都在临时重建。达沃斯为公司、企业和组织举办的活动建造了独立展馆，满墙的横幅改变了街景，商业场所被改造成交流空间，用于实现各自的议程。朱尔斯·斯皮纳奇（Jules Spinatsch）在新作品中采用了专题摄影、概念摄影和调查新闻的策略，展示了金融、技术和新媒体行业以及政治的美学和行为：在商店、酒吧、俱乐部、酒店，甚至在博物馆和教堂里，举行圆桌讨论、新闻发布会、聚会和深奥的会议。通过这样，在世界经济论坛的官方区域之外，一个平行的世界变得清晰可见，世界经济论坛的参与者、说客、当地人和游客在这里相遇。斯皮纳奇还考察了空置的商业场所，这些场所通常只在这几天租出去。他揭示了一种不仅在1月份改变达沃斯，而且是**性改变达沃斯的做法——无论是出于贪婪、需要，还是所谓的缺乏替代方案。

英文简介：

Since the last financial crisis, a new practice has emerged in Davos: During to the World Economic Forum WEF, the main street is being temporarily rebuilt almost throughout. Freestanding pavilions are being constructed for events organized by companies, corporations and organizations, wall-filling banners are changing the Street scene, and business premises are being converted into commu- nication spaces for the realization of the respective agenda - at horrendous rents. In his new work, Jules Spinatsch applies strategies of photo essays, concept photography and in- vestigative journalism. Davos Is a Verb shows the aesthetics and behavior of the financial, technology and new media industries as well as politics: in shops, bars, clubs, hotels and even in museums and churches, where roundtable discussions, press conferences, but also parties and esoteric sessions take place. In this way, a parallel world beyond the official WEF zones becomes visible, where WEF participants, lobbyists, locals and tourists meet. Spinatsch also looks at vacant business premises, which are often only rented out during these few days. He sheds light on a practice that changes Davos not only in January, but permanently - whether out of greed, need, or a supposed lack of alternatives.