中文简介：

这个项目是一个挪用的练习，从它的标题开始：它采用了英国摄影先驱亨利·威廉·福克斯·塔尔博特（Henry William Fox Talbot）在他的摄影出版物（1844年）中使用的名称，他在书中宣称人类的手对自然的记录没有干扰。在这个系列中，Yvonne Venegas审视了由男性拍摄的女性姿势，并将自己的影响融入其中，以知名艺术作品中的自画像形式描绘男性姿势。本书通过这种方式质疑性别和自然之间的传统联系，强调身体在镜头前的可塑性，即受到光线和运动的影响。就如塔尔博特的图像所显示的那样，当我们接受了自己不断变化的本质时，我们就有可能理解我们所理解的他者。

英文简介：

This project is an exercise of appropriation beginning with its title: it takes the name that Henry William Fox Talbot gave to his photography publication (1844), where he declared that the human hand had no interference in the documentation of nature. In this series, Venegas reviews female poses when photographed by men putting her own influences in crisis and depicting male poses in the form of self-portraits from celebrated artworks. In this way, the volume questions the traditional link between gender and nature by highlighting the plasticity of bodies in front of the camera, subject to light and movement. As in the images of Talbot that fade, by accepting our constant transformation, we find the possibility of understanding what we comprehend as other.