中文简介：
恩佐·马里（Enzo Mari）是语言的发明者，也是语法的构建者。他旨在将语法作为一种方法或规则集，以改进知识交流的质量和效率。无法对他的学科或职业进行明确定义：他是一个艺术家、工业设计师、平面设计师和建筑师，同时也是理论家、教育家和知识分子，可能还是哲学家、乌托邦主义者。他能够策划安静的革命，即使今天仍经常被误解，甚至完全不被了解。这些都只是这位复杂且具有革命性的人物的某些特征。
马里的设计方法根源于他对视觉艺术领域的最初研究，即在50年代初期，他在布雷拉艺术学院学习场景设计时对三维空间的感知模糊性进行的研究。这种“科学”方法包含代码、定理、论文、工具和仪器的建造、测试、模型的比较和从观察中得出的结果的记录。
本卷旨在向公众提供一个记忆图谱，即一个用来探索和理解马里所进行的研究的复杂细微差别的绘图系统。语义研究和验证的结果是艺术的编程，这构成了方法的基础，定义了他追求的所有研究、学科和乌托邦的共同过程。
英文简介：
Enzo Mari was an inventor of languages, a constructor of grammars - intended as methods or sets of rules -, deeming these instruments necessary to “communicate knowledge with improved quality and efficiency”.It is impossible to define his discipline or his profession: he is an artist, an industrial designer, a graphic designer, an architect, but also a theorist, a pedagogue, an intellectual, possibly a philosopher, certainly a utopian who knew how to programme quiet revolutions which are, even today, often misunderstood when not totally unknown; these are some of the many facets of a complex and revolutionary personality.
The root of his design methodology, which characterises the process of all the studies he later conducted, originates in his initial research into the field of visual arts, i.e. the research into the perceptual ambiguity of three-dimensional space that he undertook in the early 1950s, when he was still a scenography student at the Brera Academy of Fine Arts.
What characterises Mari's design process is a “scientific” method made up of codes, theorems, theses, the construction of tools and instruments, tests, the comparison of models and the transcription of results deriving from his observations.
This volume intend to return to the public a mnemonic atlas, a mapping system that can be used to explore and understand the complex nuances of the research conducted by Mari. Semantic research and verifications that have resulted in the programming of art, and which constitute the basis of the method that defines a process common to all the research, disciplines and utopias he pursued.
