中文简介：

乔治·康多（George Condo）因其不拘一格的艺术影响而闻名，从古代大师到立体主义再到流行艺术。这位创造了“人造现实主义”一词的艺术家，在批判当代西方文化及其过度行为的作品中融合了各种运动的图像和风格。他的绘画和雕塑以人形为特色，这些人物是我们人性的隐喻，放大了我们的情绪，揭示了我们的高潮和低潮。康多首次用自己的语言揭示了他扭曲的创作的起源和意义，并揭开了以前在美国大流行病和政治动荡期间创作的画作。

迪迪埃·奥丹爵（Didier Ottinger）研究了这位非传统艺术家的职业生涯、影响和作品，他既改写了艺术的历史，又讽刺了现代世界的不谦虚。在康多为蒙特卡洛芭蕾舞团设计布景和服装近四分之一世纪后，他在摩纳哥新穆萨梅国家美术馆举办了一场人形画展。

英文简介：

George Condo is renowned for his eclectic mix of artistic influences―from the Old Masters to cubism to pop art. The artist who coined the term “artificial realism” blends imagery and styles from various movements in works that critique contemporary Western culture and its excesses. His paintings and sculptures feature Humanoids―figures that are metaphors of our humanity, magnifying our emotions and revealing our high and low points. For the first time in his own words, Condo reveals the genesis and significance of his distorted creations and unveils previously unseen paintings created during the pandemic and the political turmoil in the United States.

Didier Ottinger examines the career, influences, and works of this unconventional artist who is at once rewriting the history of art and caricaturing the immoderation of the modern world. An exhibition of Condo's Humanoids at the Nouveau Musée National de Monaco opens nearly a quarter century after he created set and costume designs for Les Ballets de Monte-Carlo.