中文简介：

本书展示了艺术家托马斯·德曼（Thomas Demand）、建筑师卡鲁索 圣约翰（Caruso St John）和纺织品制造商Kvadrat之间的合作，他们共同为Kvadrat的埃伯尔措夫特园区制作了一个令人惊叹的新展馆。该建筑的基础是三个纸质物品（法律垫、纸盘和汽水员帽子），德曼把它们带到卡鲁索圣约翰那里，提出了一个简单的问题：“你能把这个做成建筑吗？”。

因此，建筑师们创造了一个三重装饰建筑，坐落在该地区连绵起伏的海边山丘上，包括一个会议室、一个厨房和一个灵活的生活空间，里面有艺术家罗斯玛丽·特洛柯尔（Rosemarie Trockel）的纺织作品。受知名纺织品生产商Kvadrat的启发，德曼最初追求的是将帐篷作为休闲和住所、简单和宏伟背景的原型结构。他将这些概念转化为他自己的纸质艺术习惯，并委托卡鲁索圣约翰将这种轻盈的形式具体化，带有他独特的、重复的奇思妙想。最终的建筑于2022年9月完工，通过一系列和谐的钢和玻璃纤维结构实现了这一目标，这些结构通过光与影的落差、质感的不透明性和温馨的透明度创造了它们的环境。

托马斯·德曼的原始开发草图在两卷中以传真的形式呈现。第三卷展示了已完成的建筑图像，以及与弗兰克·盖里（Frank Gehry）、丹尼斯·斯科特·布朗（Denise Scott Brown）、亚当·卡鲁索（Adam Caruso）、瓦莱丽·维哈克（Valerie Verhack）、安德斯·拜瑞尔（Anders Byriel）、埃米莉·阿佩尔切（Emilie Appercé）和托马斯·德曼的对话。

英文简介：

The Triple Folly recounts the rich collaboration between artist Thomas Demand, architects Caruso St John, and textile makers Kvadrat which produced an astonishing new pavilion for Kvadrat's Ebeltoft campus. The basis of the building is three found paper objects - a legal pad, a paper plate, and a soda jerk hat - which Demand brought to Caruso St John with the simple question 'Can you make this into architecture?' In response, the architects created a sculptural tripartite folly, a kind of inhabitable still life poised on the area's rolling seaside hillocks, encompassing a meeting room, a kitchen, and a flexible living space which holds an artwork by the artist Rosemarie Trockel. Inspired by Kvadrat's role as a celebrated textile producer, Demand initially pursued the idea of the tent as an archetypal structure across contexts of leisure and shelter, simplicity and grandeur.

Translating these concepts into his own artistic idiom of paper, he tasked Caruso St John with materialising this lightness of form, with a touch of his distinctive, duplicitous whimsy. The final building, completed in September 2022, achieves this through a harmonious sequence of steel and fibreglass structures which create their environments through the fall of light and shadow, textured opacity and welcoming transparency. This comprehensive three-volume publication presents the evolution of the pavilion's conception and construction through this meeting of disciplines.

Thomas Demand's original development sketchbooks are presented in facsimile across two extensive volumes. A third volume presents images of the completed buildings alongside con-versations with Frank Gehry, Denise Scott Brown, Adam Caruso, Valerie Verhack, Anders Byriel, and Emilie Apperce.