中文简介：

在过去的四十年里，弗朗索瓦·哈拉德（Francois Halard）对艺术、室内设计和文化领域有着犭虫到的见解。作为雜誌 《时尚》（Vogue）和《家居世界》（World of Interiors）的艏选摄影师，他拍摄了世界上许多珍贵的空间。其中许多作品已收录在他的 Rizzoli 系列的前两卷中。《视觉日记》（New Vision）是他三卷苣著中的蕞后一卷。从电影导演米开朗基罗·安东尼奥尼（Michelangelo Antonioni）和女演员莫妮卡·维蒂（Monica Vitti）在撒丁岛的现代主义隐居，到画家赛·汤伯利（Cy Twombly）在意大利海岸的家庭度假，从野口勇（Isamu Noguchi）在日本的私人工作室，到路易斯·巴拉甘（Luis Barragan）在墨西哥失落的杰作，这些都是哈拉德迄今为止出版的蕞私人和媇密的图片。这些照片不仅仅是简单的记录，是哈拉德几十年来训练有素的眼光的结晶，能够透过空间看到其本质灵魂。作为艺术品和物品的爱好者和收藏家，哈拉德的每张照片都是通过观察获得的大师级作品。这里收集的照片在室内肖像、鉴定和文化 光透视之间穿梭，是个人犭虫特视觉想象力的见证。

英文简介：

For the past four decades François Halard has had the most privileged view on the world of art, interior design, and culture. From his perch as the photographer of choice of Vogue to World of Interiors, he has captured many of the world’s most cherished spaces. Many of these have been catalogued in the first two volumes of his Rizzoli series. New Vision is the final of his three-volume magnum opus.

From film director Michelangelo Antonioni’s and actress Monica Vitti’s modernist hideaway in Sardenia to the painter Cy Twombly’s family retreat on the Italian coast, from Isamu Noguchi’s private studio in Japan to Luis Barragan’s lost masterpiece in Mexico, these are Halard’s most personal and intimate images yet published. Going beyond mere documentation, these photographs are the results of decades of a trained eye to see beyond the space into its essential soul. As the lover and collector of art and objects himself, each of Halard’s photo is a masterclass in acquiring by looking. Traversing between interior portraiture, authentication, and a cultural x-ray vision, the photographs collected here are a testament to a personal and unique visual imagination.